Scream for Mother

April 3rd, 2009

Today is Monday, March 30th. I feel  ”lost in the wilderness.”

Perhaps because it’s just Monday, or maybe it’s the velvet gold mine inside of my soul. Maybe it’s my furry venus.  I’m glad I’m surviving though, in today’s music world.  Barely, but persevering.

I’ve been under the radar for years. It kind of upsets me.  It’s a little discouraging sometimes, but no matter where I go, I pack them in, like tasty, little canned sardines, especially in Europe. Boy, do I love those salty herringlike fish!!!!

It puts a smile on my face to know that my honesty–my persistent efforts in verse and  music–can change the lives of so many souls:  Confused, disorientated, and stuck in their own little abyss, as we all seem to be in these days.

Glad I can pull you out.

Happy you guys pull me out, too.

Making some people happy is enough for me. You can’t make everybody happy though. Growth is steady and slow and I am thankful and grateful for this. I realize this every morning I open my eyes.  Sincerely.

I am very reachable, so mail me here at XXX if you all want to share life, feelings, everything or nothing. A simple hello can make my day shine.

For example, just recently a gentleman named Benjamin reached out to me. He touched me deeply. After reading his email I started to look deep within. Remembering feelings, sorrows, joys, life, the creative, my past and what it entails, the horrors, my mom and my dad and how they suffered, but found strength to bring me into this world to serve. To be all that I can for the world. For better or for worse. To appreciate my short time here in this wonderful, sometimes very mysterious world. To continue the war on passion and compassion for the arts and creativity–the only things that ever really mattered to me.  It was all I ever had, and still have. It’s all I witnessed when I was younger.

With his permission, I’d like to share with you guys what he wrote.

Benjamin left me with this:

Open Memories for Open Minds

Keith, I have had a life expierence when I was younger and I watched a friend of mine Overdose on drugs. I had a dream about it and what it was like through his eyes and I wrote what I dreamt. If at all possible I was wondering if you could spare a few minutes of the ride we call life to  read into the memory of a simple man and reply with your thoughts. I have tried to sing this sitting with my acoustic, but the emotions  overwhelm me everytime. How do you bare the weight and sing out your emotions without letting them over take you? From one unknown to  someone worldly known, any words would be of great appreciation and encouragement.  Thanks, with sincere respect for Courage! Benjamin.

The verse  Benjamin wrote:

~WINGS BENEATH THE VEIN~
I look upon the path I tread, wondering what lies ahead.
What has brought me here, to this edge of fear?
Residing in this desolation, a vast plain of imagination
Let me transcend to something else.
A voice is calling me from a distance.
The sound is so far away.
Hot and cold flashes begin to rush over me.
I feel like I am flying.
I can see my parents, but I can’t touch them.
My god what has happened to me.
I can’t move at all.
I feel the needle pierce my arm.
Once again I feel calm, shrouded by shadows.
I have been here before.
So this is what it’s like to mainline.
What a rush, but at what cost.
I hear music, and see colors.
All of which are in front of me.
It’s like I am watching a movie at the drive-in.
But I am the only one in the parking lot.
The screen begins to fade.
I feel sick, and it’s getting real cold.
Suddenly, I awake.
Only to see a man, who looks like a doctor, standing over me.
I can’t stop shaking.
Where did the movie go?
I don’t want to be here, let me go.
I just want to fly again.
I hear them talking.
Everything’s going to be alright.
They aren’t looking at me.
What’s going on?
I scream for my mother.
But all is silent.
I can see her she’s right in front of me.
Why are you crying?
My flesh begins to burn.
The lights grow dim.
So hot; but at the same time so cold.
I’m falling.
I can’t stop myself.
I am screaming for help.
Nothing, NOTHING, is happening.
Am I dying.
All it was; was one hit.
It’s just one fucking time.
This can’t happen to me.
I am only 14 yrs. old.
Why did this have to happen?
Family, please forgive me for what I have done.
I won’t be gone long.
I need you all here.
How do I get home?
How do I get out of this?
Can I change this?
God help me.
I am on bended knee.
Please help me get home.
I am begging you.
Please release me to the body.
Mother, show me how to get home.
I see it, i’m coming.
Don’t leave me.
I can see your wings.
I am back in the hospital.
I can hear the doctor again.
His voice is as clear as day.
“I’m sorry there’s nothing more I can do”.
Crying is the last thing I ever heard.
Benjamin M. Herman
Someday Benjamin, don’t be surprised when you hear music to these words. I could breathe under water again. Thank you for sharing this weight with me.

And thank you all for touching my foxy soul.

Keith Caputo

Small World

February 28th, 2009

sc194On February 21, my friend SWK and I had the privilege to witness Antony and the Johnsons perform an extremely inviting and heartbreaking set with his fantastic/dazzling band at Town Hall.

Cosmically, one of his string players, Doug Wieselman, played on my first solo record in 1999 called “Died Laughing.”

The entire band was killer. Doug Wieselman, Julia Kent, Jeff Langston, Maxim Moston, Rob Moos and Parker Kindred rocked the f*cking house! Parker is one of my favorite drummers among many. He definitely has African blood when it comes to rhythm and time. He also played with and recorded with Jeff Buckley. The entire band is so gifted.

Antony deserves everything thats developing for him on his journey. Check out his new record, “The Crying Light.”

We were fortunate enough to meet the entire band backstage except for Antony {We didn’t want to disturb him; he was so busy talking to others, so we broke out.}. A lot of celebrities were also there, such as Bjork, Rufus Wainwright; and even one of my favorite actors, Willem Dafoe.

It was so cool, guys.  We met so many beautiful people; what an electric evening.  New York is the shit!!!

A special thanks to Matt Brown who invited SWK and I backstage.  Matt Brown is also another gifted individual.  He is currently working with Antony and Lou Reed.  Thank you Matt, see you down the road, baby!!!!

Good day, people.

Keith Caputo

Changes

February 6th, 2009

Greetings everyone, this is my second official blog here on “xxx.”

Yesterday {2-05-09} I was tattooed at East Side Ink by tattooist Mark Harada.

It was a superlative day for me, personally.  One of the biggest days of my life. Words cannot describe the feelings I am now experiencing.  I will never forget 2-05-09 for as long as I live.

I shared this day with an extremely wonderful, loving and faithful friend who has been there for me ever since we’ve met.  Even when hell freezes over we will stand to be friends ’til the end of time.  I can’t thank her enough.  In remembrance or commemoration of our revolutionary day, we both decided to get matching cherry blossoms on our hands to never forget the experience.

Special thanks to SWK, Mark and the entire crew at East Side Ink NYC!!!!

Thank you for reading.

Sincerely,

Keith Caputo

Check out the pictures below.

My hand.

My hand.

Our hands.

Mark Harada and Keith.

The Stories Behind the Songs: Essential Rarities & Demo Cuts

January 28th, 2009

In commemoration of making the tour-only exclusive, Dass-Berdache / Essential Rarities & Demo Cuts, available in our online shop and as digital downloads, Keithy took some time to write about the stories behind the amazing tracks that made it onto this special collection.

Schizo Friends is about the record label RoadRunner Records, but Derick Schulman in particular.  I wrote the song with him in mind. Man, did he piss me way off. He was a good talker {laughs}.  Good at really bull-shitting young and eager artists such as myself at that time.

As a whole, they gave me 3 false release dates for “Died Laughing” in one year,  which to this day never made to any American outlets/shelves, or was given a proper chance to blossom.  It was a total sin, and big let down for me.  This was the beginning of the end for Artist Development. If you mention these two wonderful words to any Cunt executive these days, they will have no idea what your talking about.

Anyway, Derick Schulman was the president of the company at that time. It was my personal “fuck you” song to him & Roadrunner for screwing with a year of my life. It is also a song of hope for other bleeding artists that know what it means to truly struggle & put everything on the line for a song or collection of songs. I have to say RoadRunner will never ever be delivered a record like “Died Laughing.”  Real music & real passionate artists that don’t concern themselves with existing trends are hard to come by, especially now.

Wake up and Smell the Bodies is about this girl from New York I used to see and love  named Sharon. Everything about her wasn’t her. She lived in her own false sense of self and obsession with scarring and desolation. She was the last girl I fell for. We would inevitably become another Sid and Nancy {parody}. With her, it was all about deception, lies and hostility.  If she only wore that flower-patterned dress I always pictured her wearing! O well?!? I’m totally a psycho chick magnet!

Jail Face is about being born into a junky world. People think otherwise; people think a lot of things about me that aren’t true, but I never touched the stuff {heroin}.

Through my dad’s death, & mother’s death, they gave me life.  A wonderful life.  A life full of dualities.  A life full of creativity and hope.

My dad couldn’t trust a soul.  These lyrics came to me when I was in court.  My dad was locked up for weeks.  He looked like a wreck.  He must of been withdrawing for weeks.  My eyes swelled with burning, acidic tears. It’s my song of love and acceptance for him, and all the fucked up decisions  he made as a father & as a soul going through this crazy, fucked-up backwards world.  I’ll always love him.  I’ll always dream about his what-ifs, and the possibilities of life for him. Now its too late, but not for me to tell his insane stories.

Dying is OK simply means what it means to me. I’m ok with the idea of death.  It’s ok to die, it’s a part of life.  It’s just as important as living.  This song is also about change; the only thing we can rely on in this world.  Get used to it: change.  I embrace the  pain.  To grow.  To learn. I’m tired of running, aren’t you?! It’s a song of healing for me, too.

Foot Kiss is about being under someone’s thumb, or sole of one’s foot.  At this time, America was killing me.  I yearned for my place in Europe, a place where the arts meant a whole lot more & where friendship  & love were valued, & life was respected & cherished.

Shivering Leafless & Hollowed-Out was written with/for Ben Goldman and Cherlye Valentine.  Another record label nightmare, full of false hopes, promises & dreaming {Epic Records}.  Broken Valley was never given the chance to meet the world with open arms. It’s funny how dishonest people are. Why can’t people just be real, especially to themselves? Thank God for Mark Newman & Dan DeVita for helping us when we so desperately needed them to get us through it all, especially on the MudVanye tour.

The Pressure and Need for Release was recorded in my apartment in New York in the wee hours of the morning, hence the whispering vocal idea.  Lyrically, the song is a secret treasure for me.  It’s about the condition of  one’s emotional and psychological identity as male or female to be opposite to one’s biological sex.

Beyond Our Grasp is about romance, fondness, love, liaison, exoticism & jerking tears.

Attic Crawl Space is about me trying to be a good boy or girl or it. Whatever the hell I am. Who knows.  It’s about trying to be impulsive, reliable, motionless all at the same time.  It’s time to hide away again.

Turquoise Blood Line is about dancing in your wounds. Drinking your own blood, but not literally.  You’re broken because love has told you to be this way. It’s also about the unpredictability of love; how it comes, then goes.  To me, letting go is learning how to love.  Love is not an object to obsess over.  Love is about joy and sorrow and bleeding to feel it all, & emerge in the here and now.

X-Ray Illusion is my on-going idea to leave music & creativity behind forever.

Today the Music Died was written on the day Kurt Cobain died.  I think it was 1994.  I wrote the lyrics first to this song then put it to music in 1996 or 1997 with my good friend, Robert Mastrianni.  We did this demo completely wasted watching the lightning storm progress from my window in my attic apartment in Brooklyn at the time.  These were the days of ADATS. Cosmically, my entire recording set-up just died almost as if Kurt lay there beside us.  A part of my soul died when Kurt did.

I hope you all enjoy these demos and frozen moments of my personal times/collection of songs that were eventually recorded professionally for “A FONDNESS FOR HOMETOWN SCARS,” produced by Martyn Lenoble (website, MySpace), but of course, not all of the songs.  The sound quality is honestly shit, but who could really judge sound; what’s right or what’s wrong, especially in the blueprint phase.  They’re demos for Christ’s sake!

Please help me sell records. It’s how i live and get by day to day.  I would be honored if you all gave them all a listen. Any of my records. They’re all amazing pieces of my evolution as a human being.

Listen to all the albums in full online at the site’s Discography page.

If you do like my music, please be kind and buy a copy of it from the Shop.

Thank you for taking the time to read this.

“Every record stolen is a needle in my vein…” -keith caputo